Libbie Mark
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Untitled Collage Painting (Inv. No. 20R)

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Untitled Collage Painting

A work of art by female abstract expressionist Libbie Mark. Abstract painting featuring bold areas of red, turquoise, and pink with layered textures, black brushstrokes, and various geometric and organic shapes throughout the composition.
Photo: Roz Akin, Courtesy Berry Campbell, New York

Year:

1960s

Dimensions:

36 1/4 x 24 1/8 in.

Media:

acrylic and paper collage on canvas

LMPF Inv. No.:

20R

Collection:

Libbie Mark Provincetown Fund collection

Mark had an unexpected instinct for unusual combinations that achieved visual effects. Sometimes these effects were subtle, but most of the time, such as in this Abstract Expressionist collage painting, she played with the exhilarating contrast of wide scarlet brushstrokes against areas of complementary saturated turquoise. This work is a dynamic example of Mark's talent for color, and adding to the effect are her thick, calligraphic black brushstrokes, reminiscent of other abstract artists such as Franz Kline. This work likely dates to the late 1950s or early 60s when she more often utilized this graphic element in her compositions.

Layering paint with other materials, in this case, tissue paper and newspaper, Mark built up the surfaces of her abstract paintings to create textural interest as well.

This untitled collage painting was exhibited in Daphne Alazraki Fine Art's booths at the Art Palm Beach art fair, January 24–28, 2024 and the LA Art Show, February 14-18, 2024, Los Angeles, CA, as well as in Berry Campbell's booth at the Dallas Art Fair, April 4-7, 2024.

Berry Campbell Inv. no. MARK-00020
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Artwork Categories (All)

  • All Artwork
  • Paintings
  • Works on Paper
  • 1960s
  • 1950s
  • 1940s – Early 1950s
  • 1962 Solo Exhibition
  • 2022 Solo Exhibition
  • 2024 Solo Exhibition
  • 2026 Solo Exhibition
  • Available at Berry Campbell
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Berry Campbell
524 West 26th Street
New York, NY 10001
212-924-2178
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Libbie Mark Provincetown Fund

1370 Broadway, 3rd Floor
New York, NY 10018
info@libbiemark.com

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Libbie Mark on Instagram

With its vertical format and incredibly textural s With its vertical format and incredibly textural surface, this colorful and dynamic composition is a prime example of #LibbieMark ‘s #AbstractExpressionist collage painting work. Difficult to show in just one photo, her paintings are multi-layered with paint and collaged tissue paper to create depth and impasto. This painting was recently exhibited in “Libbie Mark: Abstract Expressionist” June 4 - July 10, 2026 at Berry Campbell.Please swipe for details of this gorgeous painting!Image: Untitled Collage Painting, ca. 1965. acrylic and paper collage on masonite, 24 x 15 5/8 in. LMPF Inv. no. 06JM. BC inv. no. MARK-00036. © Libbie Mark Provincetown FundPlease click link in bio for more info about Libbie: visit our website and join our email list. Please also like and follow @LibbieMarkArtist and gallery rep @BerryCampbell.
@LibbieMarkArtist #BerryCampbell @womeninthearts @makingtheirmarkorg @all.the.lady.artists @thegreatwomenartists  @womeninabstractart @women_artists @women_in_art__ @wherearethewomenartists @frida__and__ @wearewia @plain_sight_archive @famm_mougins @sailofartcollective @artprovincetown #WomenInTheArts #WomenOfAbstractExpressionism
In July 1957, #LibbieMark enrolled in #HansHofmann In July 1957, #LibbieMark enrolled in #HansHofmann’s last Provincetown art school summer session. Being surrounded by other artists in one of America’s most significant art colonies, and having the guidance of this important abstract painter were foundational for Mark’s painting career. Thereafter, she spent every summer painting in Provincetown through 1971.In researching her history for a biographical essay and timeline (read it on our website!), we found evidence of her intent to study with the famous artist and teacher as well as her course records in the Archives of American Art. While Libbie was studying with Vaclav Vytlacil (Hofmann’s former student) at the Art Students League in the Spring of 1957, Vytlacil encouraged her to apply to study with Hofmann. Her letter request to Hofmann, a follow up letter with her deposit, and her class attendance/registration records (listed as “LIBBY”) are shown in this post. Supporting documentation of an artist’s educational and work history is so important and so exciting to find!Please swipe for all images including an Abstract Expressionist painting Mark completed in Hofmann’s class, signed and dated “1957-HH” on verso.Please follow @LibbieMarkArtist, and for more image and info see link in bio for website. Follow @BerryCampbell gallery rep as well!Image 1: Mark painting signature (full info in description for Image 5)Image 2: Letter from Libbie Mark to Hans Hofmann, April 3, 1957. Hans Hofmann papers, Archives of American Art @ArchivesAmerArt, Smithsonian Institution @AmericanArt.Image 3: Letter from Libbie Mark to Hans Hofmann, April 26, 1957. Hans Hofmann papers, Archives of American Art, Smithsonian InstitutionImage 4: Hans Hofmann School of Fine Arts Provincetown registration and fee record, June–July 1957. Hans Hofmann papers, Archives of American Art, Smithsonian InstitutionImage 5: Libbie Mark, Untitled, 1957. oil on linen, 40 x 39 7/8 in. Inv. no. 50JM. Promise to gift to the Provincetown Art Association & Museum, Provincetown, MA. © Libbie Mark Provincetown Fund.Image 6, 7: painting verso and date detail
Can’t believe the show is over already! @BerryCamp Can’t believe the show is over already! @BerryCampbell’s “Libbie Mark: Abstract Expressionist” focused on #LibbieMark’s collage paintings from the 1960s. Working between New York and Provincetown, Mark developed a singular, experimental approach to painting, creating works distinguished by their rich materiality, tactile surfaces, and sophisticated color relationships, merging painterly gesture with collage-based construction, positioning her work within the broader experimental currents of postwar abstraction.The exhibition was on view June 4 - July 10. Here are some more photos from the June 4 opening, with her richly textured collage paintings creating a colorful background for the reception.Images:
1. Members of Libbie Mark’s family: daughter-in-law Arlene Mark @rickmadiera, great grandchild Emma Tanur, son Reuben Mark, son-in-law Mike Tanur, and daughter @JudyTanur.
2. Megan Scott @meganscott676, artist @Robert.Seyffert and Reuben Mark
3. Curator and @PaulJenkins_Estate representative @MarthaBlackwelder with @ShirleyGorelickFoundation representative Max Warsh
4-8. Libbie’s new fans.event photos 1-4: @George_Sierzputowski, Courtesy Berry Campbell and 5-8. @JenniferUhrhane, courtesy Libbie Mark Provincetown Fund#BerryCampbell @ASLnyc @womeninthearts @makingtheirmarkorg @all.the.lady.artists @thegreatwomenartists  @womeninabstractart @women_artists @women_in_art__ @wherearethewomenartists @frida__and__ @wearewia @plain_sight_archive @famm_mougins #WomenInTheArts #WomenOfAbstractExpressionism #AbstractExpressionist @sailofartcollective @artprovincetown
A deeply talented creative life cut short...on Jul A deeply talented creative life cut short...on July 10, 1972 #LibbieMark passed away from lung cancer at age 66 in New York City, leaving many #AbstractExpressionist artworks in her family’s possession, and countless others in public and private collections. A true innovator with her beautifully textured and complexly-colored collage painting technique, Libbie Mark really hit her artistic stride in the 1960s, after studying with Vaclav Vytlacil at the Art Students League and Hans Hofmann in Provincetown.The Libbie Mark Provincetown Fund, in partnership with gallery #BerryCampbell, tell Mark’s story to ensure that more attention is paid to her and other important yet underrecognized female artists.One of the ways Libbie’s legacy carries on is though her representation in public and private collections. Please swipe for images of Mark and 5 great paintings placed in collections by Berry Campbell:1. Libbie Mark in her studio on East 71st, 1959 or later. Inv. no. ARCHJM–002. © Dena (Dinah Rubinstein), Libbie Mark Provincetown Fund Collection.2. Untitled Collage Painting, c. 1965. Acrylic and paper collage on Masonite, 24 x 15 7/8 in. BC Inv. No. MARK-00010; LMPF Inv. No.14JM; Private Collection3. Collage Painting No. 67-6, 1967. Acrylic and paper collage on paper, mounted on canvas
39 7/8 x 30 1/4 in. BC Inv. No. MARK-00004. LMPF Inv. No. 13JM; Private Collection4. Untitled Collage Painting, ca. 1965. acrylic and paper collage on canvas, 40 1/8 x 30 in. BC Inv. No. MARK-00007; LMPF Inv. No. 26JM; Private collection.5. Collage Painting No. 3, 1962. Acrylic polymer latex and paper collage on canvas, 30 1/4 x 20 inches. BC Inv. No. MARK-00012, LMPF inv. No. 01R; Private Collection6. Collage Painting No. 4 or No. 5, 1964. Acrylic and paper collage on Masonite, 30 × 24 in. BC Inv. No. MARK-00008, LMPF inv. No. 48JM; Private CollectionAll images: Roz Akin, Courtesy Berry Campbell. All paintings © Libbie Mark Provincetown Fund.To read Libbie’s bio, view a timeline of key life events, and view so many more paintings, please visit our website (links in bio), and please like and follow @LibbieMarkArtist and @BerryCampbell.
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All content © Jennifer Uhrhane or Libbie Mark Provincetown Fund unless indicated otherwise. Website by MILKROW.
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