Libbie Mark
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© Dena (Dinah Rubinstein)

Libbie Mark

American artist, Libbie Mark (1905 Jersey City, NJ–1972 New York, NY) created her work in the important artistic communities of New York and Provincetown, mainly in the 1950s and 1960s. She had connections with many of the twentieth century’s most significant artists, including Grace Hartigan, Hans Hofmann, and Vaclav Vytlacil. When her children became independent, she moved from the suburbs to the city to be closer to the New York art scene and began spending summers in Provincetown. Mark studied at the Art Students League and at Hofmann’s summer school. She was also an active participant in the Vectors artists group, whose membership featured an unusually high female representation for the times. In solo and group shows, Mark exhibited her abstract paintings, whose heavily textured surfaces were built up with tissue paper and other materials collaged with paint on paper, Masonite, or canvas. About 150 works have been documented so far.

Unlike many other mid-century artists, due to the support of her family, Mark was able to paint, take classes, and exhibit her work. However, hers was not the case of a comfortable housewife with a hobby. The extent and duration of Mark’s artistic activity, the quality of the work, the clear drive, and the related life decisions that made it happen demonstrate her serious commitment to her art. This understudied but talented artist deserves further study and exhibition; this website and other efforts of the Libbie Mark Provincetown Fund will help fulfill that goal.

Libbie Mark Provincetown Fund

The Libbie Mark Provincetown Fund was established to promote Libbie Mark’s artwork and establish her legacy by placing her paintings in public or private collections, and supporting research, exhibitions and programming that include her work whether online, in print, or in physical spaces. The fund is also publishing an ongoing catalogue raisonné of her artwork.

The important research and outreach sponsored by the Libbie Mark Provincetown Fund will add to the art historical record of this understudied mid-century female artist. To enhance this mission, in the future, the Fund may also support exhibitions, publications, and other programming that include the work of other understudied female artists that its managers determine deserve more attention.

2022 Exhibition Catalogue

Libbie Mark Exhibition Catalogue

Art of the Abstract Mark: Libbie Mark’s Collage Paintings and Other Works, 1950s–1960s

Learn More
Link to: Libbie Mark: Collage Paintings (1950s to 1960s)

2024 Solo Exhibition

Berry Campbell, New York, May 23–June 22, 2024
Link to: Timeline

Timeline

View a timeline of Libbie Mark’s life, 1905–1972
Link to: Vectors Artist Group

Vectors Artist Group

Libbie Mark was a member of the Vectors, a remarkably understudied, but fascinating New York artists group

2024 Solo Exhibition

Timeline

Vectors Artist Group

  • 2024 Solo Exhibition

    Berry Campbell, New York, May 23–June 22, 2024

    Installation View © Roz Akin, Courtesy Berry Campbell, New York
  • Timeline

    View a timeline of Libbie Mark’s life, 1905–1972

    Fig.20. Dena (Dinah Rubinstein), Libbie Mark in her studio on East 71st, 1959 or later
  • Vectors Artist Group

    Libbie Mark was a member of the Vectors, a remarkably understudied but fascinating New York artists group.

    Fig. 12. New York University Contemporary Arts Gallery Vectors 8th Annual Exhibition postcard, 1964
Libbie Mark Logo Signature
GALLERY REPRESENTATION
(sales/exhibition inquiries)
Berry Campbell
524 West 26th Street
New York, NY 10001
212-924-2178
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Libbie Mark Provincetown Fund

1359 Broadway, Suite 1710
New York, NY 10018
info@libbiemark.com

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Libbie Mark on Instagram

In addition to #LibbieMark’s exhibition of collage In addition to #LibbieMark’s exhibition of collage paintings from the 1960s on view now at #BerryCampbell, a tandem show of Ann Purcell’s (b. 1941) work from the 1970s opened last week at the gallery as well.“My painting is working within tensions of paradox, ambiguity, duality, and contradiction. It is not on one side or the other; it is those polarities united. This is the totality and the fullness. The meaning cannot be expressed in words alone; it is a feeling, a sense, an experience, a joy, an idea.”- Ann Purcell, 1976Libbie and Ann spent both summers in Provincetown, significant experiences for each artist’s creative output: Libbie in the late 1950s–early 1970s, and Ann in the 1980s. Both artists are also represented in the Provincetown Art Association and Museum’s collection.“Libbie Mark: Abstract Expressionist” and “Ann Purcell: The Seventies” are both on view through July 10. Please swipe for images from Ann’s show.For more info about Libbie, please visit our website, link is in bio. Please also like and follow @LibbieMarkArtist, @apurcell2001 and @BerryCampbell!@paam1914 @womeninthearts @makingtheirmarkorg @all.the.lady.artists @thegreatwomenartists  @womeninabstractart @women_artists @women_in_art__ @wherearethewomenartists @frida__and__ @wearewia @plain_sight_archive @famm_mougins #WomenInTheArts #WomenOfAbstractExpressionism #AbstractExpressionist @ASLnyc
Thank you to everyone who attended the opening rec Thank you to everyone who attended the opening reception of “Libbie Mark: Abstract Expressionist” at #BerryCampbell last week! We had a great time talking to people about Libbie’s work, lots of admirers of the complex and colorful textured surfaces of her collage paintings.On view: June 4 - July 10, 2026
Gallery hours: Tuesday–Saturday, 10am–6pmPlease tag us if you post about your visit to the show! Swipe for images from the opening.For more info about Libbie, please visit our website, link is in bio. Please also like and follow @LibbieMarkArtist and @BerryCampbell!#LibbieMark @ASLnyc
@womeninthearts @makingtheirmarkorg @all.the.lady.artists @thegreatwomenartists  @womeninabstractart @women_artists @women_in_art__ @wherearethewomenartists @frida__and__ @wearewia @plain_sight_archive @famm_mougins #WomenInTheArts #WomenOfAbstractExpressionism #AbstractExpressionist
Only 3 more days!!! “Libbie Mark: Abstract Expres Only 3 more days!!!“Libbie Mark: Abstract Expressionist,” #BerryCampbell’s next IN FOCUS exhibition opens this Thursday, June 4 at 6pm!Working between New York and Provincetown, #LibbieMark developed a singular, experimental approach to painting, creating works distinguished by their rich materiality, tactile surfaces, and sophisticated color relationships, merging painterly gesture with collage-based construction, positioning her work within the broader experimental currents of postwar abstraction.By the early 1960s, Mark had developed her richly textured #CollagePainting s that became her signature, combining gestural abstraction with layered surfaces constructed from crumpled paper, pigment, and impasto. Please swipe to see details of this beautiful work!For more info see links in bio. Please also like and follow @LibbieMarkArtist and gallery rep @BerryCampbell … And visit Libbie’s show at the gallery’s beautiful Chelsea, New York space! On view: June 4 - July 10, 2026Image: Libbie Mark, Untitled Collage Painting, ca. 1965. acrylic and paper collage on canvas, 36 x 24 in. LMPF Inv. no. 27JM. BC inv. no. MARK-00039. © Libbie Mark Provincetown Fund. (Thank you @jamesonandthompson @adjframes)@womeninthearts @makingtheirmarkorg @all.the.lady.artists @thegreatwomenartists @womeninabstractart @women_artists @women_in_art__ @wherearethewomenartists @frida_and_ @wearewia @plain_sight_archive @famm_mougins #WomenOfAbstractExpressionism #AbstractExpressionist
Our inbox this morning! Are you on @BerryCampbell‘ Our inbox this morning! Are you on @BerryCampbell‘s mailing list?
In Focus
“Libbie Mark: Abstract Expressionist”
June 4 - July 10, 2026
Reception
Thursday, June 4, 2026, 6 - 8 pm
Berry Campbell is pleased to present “Libbie Mark: Abstract Expressionist,” focusing on Mark’s “collage paintings” from the 1960s. Working between New York and Provincetown, Mark developed a singular, experimental approach to painting, creating works distinguished by their rich materiality, tactile surfaces, and sophisticated color relationships, merging painterly gesture with collage-based construction, positioning her work within the broader experimental currents of postwar abstraction.
Though largely overlooked during her lifetime, Mark was deeply engaged with the artistic milieu of the postwar New York School. While studying at the Art Students League in the late 1950s, she attended Hans Hofmann’s final Provincetown summer session in 1957, an experience that proved formative to the evolution of her practice. By the early 1960s, Mark had developed her richly textured “collage paintings” that became her signature, combining gestural abstraction with layered surfaces constructed from crumpled paper, pigment, and impasto.
In 1962, Knapik Gallery presented Mark’s first and only solo exhibition during her lifetime, “Libbie Mark: Paintings and Collages.” In reviews in “ARTnews” and “Manhattan East,” critics noted the works’ “color brilliance” and “vividly sensuous response to visual experience,” recognizing Mark’s key balance between spontaneity and control within her compositions. Mark later exhibited with the Vectors group, an important collective of artists active in New York throughout the 1960s.
Today, renewed attention has positioned Mark among a generation of women artists whose contributions to Abstract Expressionism and postwar painting are only now being more fully reconsidered. “Libbie Mark: Abstract Expressionist” opens with a reception on June 4, 2026, from 6–8 pm, and remains on view through July 10, 2026.
All images © Libbie Mark Provincetown Fund
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All content © Jennifer Uhrhane or Libbie Mark Provincetown Fund unless indicated otherwise. Website by MILKROW.
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