Libbie Mark
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© Dena (Dinah Rubinstein)

Libbie Mark

American artist, Libbie Mark (1905 Jersey City, NJ–1972 New York, NY) created her work in the important artistic communities of New York and Provincetown, mainly in the 1950s and 1960s. She had connections with many of the twentieth century’s most significant artists, including Grace Hartigan, Hans Hofmann, and Vaclav Vytlacil. When her children became independent, she moved from the suburbs to the city to be closer to the New York art scene and began spending summers in Provincetown. Mark studied at the Art Students League and at Hofmann’s summer school. She was also an active participant in the Vectors artists group, whose membership featured an unusually high female representation for the times. In solo and group shows, Mark exhibited her abstract paintings, whose heavily textured surfaces were built up with tissue paper and other materials collaged with paint on paper, Masonite, or canvas. About 150 works have been documented so far.

Unlike many other mid-century artists, due to the support of her family, Mark was able to paint, take classes, and exhibit her work. However, hers was not the case of a comfortable housewife with a hobby. The extent and duration of Mark’s artistic activity, the quality of the work, the clear drive, and the related life decisions that made it happen demonstrate her serious commitment to her art. This understudied but talented artist deserves further study and exhibition; this website and other efforts of the Libbie Mark Provincetown Fund will help fulfill that goal.

Libbie Mark Provincetown Fund

The Libbie Mark Provincetown Fund was established to promote Libbie Mark’s artwork and establish her legacy by placing her paintings in public or private collections, and supporting research, exhibitions and programming that include her work whether online, in print, or in physical spaces. The fund is also publishing an ongoing catalogue raisonné of her artwork.

The important research and outreach sponsored by the Libbie Mark Provincetown Fund will add to the art historical record of this understudied mid-century female artist. To enhance this mission, in the future, the Fund may also support exhibitions, publications, and other programming that include the work of other understudied female artists that its managers determine deserve more attention.

2022 Exhibition Catalogue

Libbie Mark Exhibition Catalogue

Art of the Abstract Mark: Libbie Mark’s Collage Paintings and Other Works, 1950s–1960s

Learn More
Link to: Libbie Mark: Collage Paintings (1950s to 1960s)

2024 Solo Exhibition

Berry Campbell, New York, May 23–June 22, 2024
Link to: Timeline

Timeline

View a timeline of Libbie Mark’s life, 1905–1972
Link to: Vectors Artist Group

Vectors Artist Group

Libbie Mark was a member of the Vectors, a remarkably understudied, but fascinating New York artists group

2024 Solo Exhibition

Timeline

Vectors Artist Group

  • 2024 Solo Exhibition

    Berry Campbell, New York, May 23–June 22, 2024

    Installation View © Roz Akin, Courtesy Berry Campbell, New York
  • Timeline

    View a timeline of Libbie Mark’s life, 1905–1972

    Fig.20. Dena (Dinah Rubinstein), Libbie Mark in her studio on East 71st, 1959 or later
  • Vectors Artist Group

    Libbie Mark was a member of the Vectors, a remarkably understudied but fascinating New York artists group.

    Fig. 12. New York University Contemporary Arts Gallery Vectors 8th Annual Exhibition postcard, 1964
Libbie Mark Logo Signature
GALLERY REPRESENTATION
(sales/exhibition inquiries)
Berry Campbell
524 West 26th Street
New York, NY 10001
212-924-2178
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Libbie Mark Provincetown Fund

1359 Broadway, Suite 1710
New York, NY 10018
info@libbiemark.com

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Libbie Mark on Instagram

Reposting this from 2024 simply because it’s a g Reposting this from 2024 simply because it’s a great little piece 🥰. Please like and help us get our numbers up!...
Occasionally, very occasionally, an Instagram message request ISN’T spam or a request to buy Libbie’s paintings as NFTs.....Recently, artist Andrew Young reached out to let us know that he owns a #LibbieMark! Knowing how important it is to share images and information, having embarked on his own mission to research and raise the art historical profile of #AbstractExpressionist painter William Holst, Young sent us pictures of this expressive and energetic work. Sharing with you all here (drumroll) ..... a newly “discovered” Libbie Mark pastel!Photos courtesy Andrew Young, please swipe for details of this colorful beauty:Libbie Mark, Untitled, 1960. oil and oil pastel on canvas paper, 9 x 12 in. #LibbieMarkProvincetownFund Inv. No. 01AY.For more info about Libbie, please see links in bio, and please follow @LibbieMarkArtist and @BerryCampbell.Be sure to also check out @AWYoungArt and @WilliamHolstInfo. Thank you Andrew! Does anyone else have a Libbie artwork they would like to share with us? Please get in touch.#WomenOfAbstractExpressionism #AbstractExpressionism @womeninabstractart @womeninthearts @women_artists @thegreatwomenartists @frida_and_ @nogreatwomenartists @wearewia @women_in_art_ @AsINyc @plain_sight_archive
When is the last time you visited #LibbieMark ‘s When is the last time you visited #LibbieMark ‘s website? (Part 2, blizzard delay edition)We have just launched exciting website upgrades that give you new ways to explore Libbie’s artworks. Libbie’s site now features 144 standalone pages, one for each of her paintings and works on paper documented so far. The new artwork pages feature fascinating background information and visual analysis of selected works, including links to other informative pages on the website, such as those that document the exhibitions in which these works were shown. We have started with in-depth coverage of about 25 pieces in Berry Campbell’s inventory and plan to expand to as many works as possible.Swipe for an example of these new artwork pages, featuring one of Libbie’s gorgeous #AbstractExpressionist collage paintings. Excerpt:“Mark was also a talented colorist, with an unexpected instinct for unusual combinations that achieved visual effects. Sometimes these effects were subtle, but most of the time, such as in this work, she played with the bold and exhilarating contrast of bright red with complementary green brushstrokes. The vertical composition - most of Mark’s paintings are verticals - also creates movement and dynamism throughout.”These website upgrades will help you gain a deeper understanding of the artist and her work. Get exploring and please let us know what you think!You can find the link to our website and other info in the bio. Please follow @LibbieMarkArtist and gallery rep @BerryCampbell.Image: #CollagePainting No. 62-73, 1962. Acrylic and paper collage on canvas, 36 1/4 × 30 in. #LibbieMarkProvincetownFund Inv. no. 08J, BCG No. MARK-00014.#WomenOfAbstractExpressionism @womeninabstractart @womeninthearts @women_artists @thegreatwomenartists @frida_and_ @nogreatwomenartists @wearewia @women_in_art_ @AsINyc @plain_sight_archive
When is the last time you visited #LibbieMark ‘s When is the last time you visited #LibbieMark ‘s website? We have just launched exciting upgrades that give you new ways to explore Libbie’s works by adding helpful categories, such as decade, medium, and exhibition title with which you can select groups of pieces to learn more about. You can also view Berry Campbell gallery’s current inventory of Libbie’s works. Begin your exploration by clicking on one of the categories on the right side of the webpage! See the screenshots for the new look, and please let us know what you think!You can find the link to our website, and other info, in the bio. Please follow @LibbieMarkArtist and gallery rep @BerryCampbell.#LibbieMarkProvincetownFund #AbstractExpressionist #CollagePainting #WomenOfAbstractExpressionism @womeninabstractart @womeninthearts @women_artists @thegreatwomenartists @frida_and_ @nogreatwomenartists @wearewia @women_in_art_ @AsINyc @plain_sight_archive
#LibbieMark, known for her 1960s #AbstractExpressi #LibbieMark, known for her 1960s #AbstractExpressionist #CollagePainting technique, usually titled her works using dates and sequential numbers (No. 67-6, No. 64-5, etc). She did make a few exceptions in subject and name, some of which are very personal pieces. In this case, here are two earlier artworks that commemorate the birth grandchildren, her first and second. Despite the personal nature of the inspiration, these pieces still show stylistic features reflected in Mark’s other works from the 1950s, such as a dynamic, vertical composition, strong black graphic lines, and the utilization of the texture of the paper as a design element. Swipe to see both pieces.Rachel, 1958. ink and acrylic on watercolor paper, 16 1/4 x 10 7/8” (sight). LMPF Inv. no. 21J,
#LibbieMarkProvincetownFund collection.For Marcia, 1959. acrylic on watercolor paper, 13 3/4 x 11 3/4.” LMPF Inv. no. 19J, Libbie Mark Provincetown Fund collection.To learn more about Libbie Mark, please visit our website (link in bio) and follow @LibbieMarkArtist and gallery rep @BerryCampbell.#WomenOfAbstractExpressionism @womeninabstractart @womeninthearts @women_artists @thegreatwomenartists @frida_and_ @nogreatwomenartists @wearewia @women_in_art_ @AsINyc @plain_sight_archive
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All content © Jennifer Uhrhane or Libbie Mark Provincetown Fund unless indicated otherwise. Website by MILKROW.
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