Libbie Mark
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Collage Painting #12 (Inv. No. 09R)

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Collage Painting #12

A work of art by female abstract expressionist Libbie Mark. Abstract painting of two figures in yellow aiming long black rifles upward, with vivid yellow, blue, and brown colors dominating the composition.

Year:

1962

Dimensions:

10 1/8 x 12 in.

Media:

acrylic and paper collage on paper mounted on masonite

LMPF Inv. No.:

09R

Collection:

Libbie Mark Provincetown Fund collection

description to come

Artwork Categories (All)

  • All Artwork
  • Paintings
  • Works on Paper
  • 1960s
  • 1950s
  • 1940s – Early 1950s
  • 1962 Solo Exhibition
  • 2022 Solo Exhibition
  • 2024 Solo Exhibition
  • 2026 Solo Exhibition
  • Available at Berry Campbell
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Berry Campbell
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New York, NY 10001
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Libbie Mark Provincetown Fund

1370 Broadway, 3rd Floor
New York, NY 10018
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Libbie Mark on Instagram

On Tuesday I posted about #MaryGabriel’s @NYTimes On Tuesday I posted about #MaryGabriel’s @NYTimes guest essay “A Superb American Artist Is Finally Getting Her Due.” Article link: tinyurl.com/lee-krasner
Today I am going back to that essay, about women artists’ life choices and art world recognition, inspired by the new Lee Krasner-Jackson Pollock show at the @MetMuseum.In addition to the content, it was interesting to observe the two photographs used for Krasner, at least in the online version of the essay, which is what I read. The first was a contact sheet of a 1972 Irving Penn portrait session, in which Krasner addresses the viewer with a commanding stare, as she is placed at center — with an incredible hooded coat that creates an amazing aura or armor around her. The second illustration, in great contrast, is a 1950 image of Krasner and Pollock in his studio. Rather than appearing as a significant artist in her own right, which she certainly was at the time, she is portrayed as the studio assistant watching hesitantly as Pollock selects an item from his work table. How female artists were portrayed at the time also contributed to the problem of being “Mrs. [insert male painter name here], AKA “Mrs. Jackson Pollock.”We unfortunately don’t have a lot of photographs of Libbie in her studio or with her paintings, but I’m very grateful to have these two, in which she too is portrayed as the strong and confident artist that she was. Please swipe for all 4 images.
We are working hard to get #LibbieMark the artworld attention she deserves. @BerryCampbell represents Mark, and other incredible women artists. Rest of post in comments.
Recently read #MaryGabriel’s on point @NYTimes ess Recently read #MaryGabriel’s on point @NYTimes essay “A Superb American Artist Is Finally Getting Her Due.” Sharing some key parts, please forgive my heavy edits! Article link: tinyurl.com/lee-krasner“The history of art...as it was lived — is full of women who...dared to be their artist selves and...whoever they wanted and needed to be, no matter the difficulties — women like...Lee Krasner.”“Some of the women...succumbed to the demands of their relationships. But others risked their lives to save their creative selves.”“...Grace Hartigan...was a powerful and extreme example of both the decisions women were forced to make and the stakes of those decisions... she would marry and just as quickly shed three husbands...[and] relinquished her only child.”“It fell to women to decide if they could be good mothers and good artists...Hartigan believed not, but many other women found a way.”“Jane Freilicher painted...from noon until 6 p.m., and established an open-door studio policy...”“Remarkably, it appears, collectors cling to the antiquated notion that a painting by a man is inherently more worthy of investment than one by a woman...despite the fact that art-world recognition of [Krasner] and her contemporaries has grown tremendously in the past decade.”“Walking into the Metropolitan Museum exhibit this fall...We may also be able to finally put to rest the myth of Lee Krasner, the artist’s wife, and see the legend of Lee Krasner, the artist.”By choice, Libbie Mark had a basement studio, and waited until her children went to college before fully launching her own artistic career. Edward Mark was an incredibly supportive husband, very involved in making things happen for her, different from many of the women artists Gabriel writes about.In the 50s and 60s, Mark produced and exhibited collage paintings like this one (swipe for 2nd image), utilizing her unique method of combining paint and crumpled paper to create incredible texture and sophisticated compositions. We are working hard to get Libbie the artworld attention she deserves. @BerryCampbell represents #LibbieMark, and other incredible women artists. Rest of post in comments.
This abstract collage painting on paper celebrated This abstract collage painting on paper celebrated the birth of #LibbieMark’s granddaughter, Lisa, born in 1964. Unlike most of her works, whose titles were comprised of years and sequential numbers (No. 67-6, No. 64-5, etc.), this is titled “For Lisa.” It is among at least 4 other artworks known to commemorate such an occasion. It demonstrates Mark’s typically vibrant color palette and vertical compositional orientation, both of which create movement and dynamism throughout. Painted in July, we can assume that it was made in Provincetown where Libbie spent every summer from 1957–1971.
 
Image and details: Libbie Mark, “For Lisa July 14, 1964.” acrylic and collage on watercolor paper, 20 x 16 in. LMPF Inv. no. 17R, Private Collection. © Libbie Mark Provincetown Fund. 
 
@BerryCampbell represents Libbie Mark. Please see bio for more info, website links and email list signup. Please like and follow @LibbieMarkArtist and gallery rep #BerryCampbell. Swipe for detail images of this work.
 
@AslNyc @womeninthearts @makingtheirmarkorg @all.the.lady.artists @thegreatwomenartists  @womeninabstractart @women_artists @women_in_art__ @wherearethewomenartists @frida__and__ @wearewia @plain_sight_archive @famm_mougins @sailofartcollective @artprovincetown #WomenInTheArts #WomenOfAbstractExpressionism #AbstractExpressionism
Libbie‘s 121st birthday this week! On September 13 Libbie‘s 121st birthday this week! On September 13, 1905, Libbie Berman was born in Jersey City, NJ. In 1927, she married Edward Mark and they settled in Great Neck, Long Island around 1939. Their first child, Judith, was born in 1935, followed by Reuben in 1939. In 1948, Mark formalized her interest in art by enrolling in courses at the Great Neck Adult Education fine arts program, known for its significant artist faculty such as Nell Blaine, Helen Frankenthaler, Grace Hartigan, @Louise.Nevelson, and Larry Rivers.
When her children were grown, Libbie more urgently pursued her art education by temporarily moving with her husband to NYC in 1956-1958 to enroll in Art Students League courses with Vaclav Vytlacil. At the encouragement of Vytlacil, Mark also attended the Hans Hofmann School in Provincetown in the summer of 1957. In 1958, the Marks moved to an apartment at 35 East 85th Street, and by 1959 or 1960, settled in at 176 East 71st Street. Libbie rented a painting studio nearby, but later had a separate studio unit in their E 71st building.
Mark continued to spend summers painting in Provincetown from 1957 until 1971. Though having a late start and an unfortunately early end, Mark created an important body of innovative collage paintings, with her own unique take on abstraction and collage techniques, created before her death in 1972 at age 66.
@BerryCampbell represents #LibbieMark. Please see bio for more info, and our email list signup form. Please like and follow @LibbieMarkArtist and gallery rep #BerryCampbell. Swipe for more images of this important woman artist.
All images Judith and Michael Tanur Collection
1. Photographer unknown, Libbie Mark, ca. 1960s.
2. Photographer unknown, Edward and Libbie Mark, before 1935.
3. Photographer unknown, clockwise from upper left: Edward, Libbie, Reuben and Judith Mark, Camp Copake, NY, ca. 1947.
4. Michael Tanur, L to R: Judith Tanur, Edward, Libbie, and Reuben Mark, in the Tanurs’ Brooklyn apartment, 1958.
5. Photographer unknown, Edward and Libbie Mark with screens displaying her paintings, in their East 71st Street living room, after 1959.
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All content © Jennifer Uhrhane or Libbie Mark Provincetown Fund unless indicated otherwise. Website by MILKROW.
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