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Untitled (46JM)

All Artwork
Paintings
Works on Paper
1960s
1950s
1940s – Early 1950s
1962 Solo Exhibition
2022 Solo Exhibition
2024 Solo Exhibition
Available at Berry Campbell

Untitled

A work of art by female abstract expressionist Libbie Mark. Abstract painting with bold, overlapping brushstrokes in blue, yellow, brown, and white, creating an energetic, chaotic composition with no discernible subject.

Year:	1957
Dimensions:	42 x 42 in.
Media:	oil on canvas
LMPF Inv. No.:	46JM
Collection:	Libbie Mark Provincetown Fund collection

description to come

Artwork Categories (All)

All Artwork
Paintings
Works on Paper
1960s
1950s
1940s – Early 1950s
1962 Solo Exhibition
2022 Solo Exhibition
2024 Solo Exhibition
Available at Berry Campbell

GALLERY REPRESENTATION
(sales/exhibition inquiries)
Berry Campbell
524 West 26th Street
New York, NY 10001
212-924-2178
email | web

Libbie Mark Provincetown Fund

1359 Broadway, Suite 1710
New York, NY 10018
info@libbiemark.com

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Libbie Mark on Instagram

Reposting this from 2024 simply because it’s a g

When is the last time you visited #LibbieMark ‘s

When is the last time you visited #LibbieMark ‘s website? (Part 2, blizzard delay edition)We have just launched exciting website upgrades that give you new ways to explore Libbie’s artworks. Libbie’s site now features 144 standalone pages, one for each of her paintings and works on paper documented so far. The new artwork pages feature fascinating background information and visual analysis of selected works, including links to other informative pages on the website, such as those that document the exhibitions in which these works were shown. We have started with in-depth coverage of about 25 pieces in Berry Campbell’s inventory and plan to expand to as many works as possible.Swipe for an example of these new artwork pages, featuring one of Libbie’s gorgeous #AbstractExpressionist collage paintings. Excerpt:“Mark was also a talented colorist, with an unexpected instinct for unusual combinations that achieved visual effects. Sometimes these effects were subtle, but most of the time, such as in this work, she played with the bold and exhilarating contrast of bright red with complementary green brushstrokes. The vertical composition - most of Mark’s paintings are verticals - also creates movement and dynamism throughout.”These website upgrades will help you gain a deeper understanding of the artist and her work. Get exploring and please let us know what you think!You can find the link to our website and other info in the bio. Please follow @LibbieMarkArtist and gallery rep @BerryCampbell.Image: #CollagePainting No. 62-73, 1962. Acrylic and paper collage on canvas, 36 1/4 × 30 in. #LibbieMarkProvincetownFund Inv. no. 08J, BCG No. MARK-00014.#WomenOfAbstractExpressionism @womeninabstractart @womeninthearts @women_artists @thegreatwomenartists @frida_and_ @nogreatwomenartists @wearewia @women_in_art_ @AsINyc @plain_sight_archive

When is the last time you visited #LibbieMark ‘s

When is the last time you visited #LibbieMark ‘s website? We have just launched exciting upgrades that give you new ways to explore Libbie’s works by adding helpful categories, such as decade, medium, and exhibition title with which you can select groups of pieces to learn more about. You can also view Berry Campbell gallery’s current inventory of Libbie’s works. Begin your exploration by clicking on one of the categories on the right side of the webpage! See the screenshots for the new look, and please let us know what you think!You can find the link to our website, and other info, in the bio. Please follow @LibbieMarkArtist and gallery rep @BerryCampbell.#LibbieMarkProvincetownFund #AbstractExpressionist #CollagePainting #WomenOfAbstractExpressionism @womeninabstractart @womeninthearts @women_artists @thegreatwomenartists @frida_and_ @nogreatwomenartists @wearewia @women_in_art_ @AsINyc @plain_sight_archive

#LibbieMark, known for her 1960s #AbstractExpressi

#LibbieMark, known for her 1960s #AbstractExpressionist #CollagePainting technique, usually titled her works using dates and sequential numbers (No. 67-6, No. 64-5, etc). She did make a few exceptions in subject and name, some of which are very personal pieces. In this case, here are two earlier artworks that commemorate the birth grandchildren, her first and second. Despite the personal nature of the inspiration, these pieces still show stylistic features reflected in Mark’s other works from the 1950s, such as a dynamic, vertical composition, strong black graphic lines, and the utilization of the texture of the paper as a design element. Swipe to see both pieces.Rachel, 1958. ink and acrylic on watercolor paper, 16 1/4 x 10 7/8” (sight). LMPF Inv. no. 21J,
#LibbieMarkProvincetownFund collection.For Marcia, 1959. acrylic on watercolor paper, 13 3/4 x 11 3/4.” LMPF Inv. no. 19J, Libbie Mark Provincetown Fund collection.To learn more about Libbie Mark, please visit our website (link in bio) and follow @LibbieMarkArtist and gallery rep @BerryCampbell.#WomenOfAbstractExpressionism @womeninabstractart @womeninthearts @women_artists @thegreatwomenartists @frida_and_ @nogreatwomenartists @wearewia @women_in_art_ @AsINyc @plain_sight_archive

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All content © Jennifer Uhrhane or Libbie Mark Provincetown Fund unless indicated otherwise. Website by MILKROW.

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