Libbie Mark
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© Dena (Dinah Rubinstein)

Libbie Mark

American artist, Libbie Mark (1905 Jersey City, NJ–1972 New York, NY) created her work in the important artistic communities of New York and Provincetown, mainly in the 1950s and 1960s. She had connections with many of the twentieth century’s most significant artists, including Grace Hartigan, Hans Hofmann, and Vaclav Vytlacil. When her children became independent, she moved from the suburbs to the city to be closer to the New York art scene and began spending summers in Provincetown. Mark studied at the Art Students League and at Hofmann’s summer school. She was also an active participant in the Vectors artists group, whose membership featured an unusually high female representation for the times. In solo and group shows, Mark exhibited her abstract paintings, whose heavily textured surfaces were built up with tissue paper and other materials collaged with paint on paper, Masonite, or canvas. About 150 works have been documented so far.

Unlike many other mid-century artists, due to the support of her family, Mark was able to paint, take classes, and exhibit her work. However, hers was not the case of a comfortable housewife with a hobby. The extent and duration of Mark’s artistic activity, the quality of the work, the clear drive, and the related life decisions that made it happen demonstrate her serious commitment to her art. This understudied but talented artist deserves further study and exhibition; this website and other efforts of the Libbie Mark Provincetown Fund will help fulfill that goal.

Libbie Mark Provincetown Fund

The Libbie Mark Provincetown Fund was established to promote Libbie Mark’s artwork and establish her legacy by placing her paintings in public or private collections, and supporting research, exhibitions and programming that include her work whether online, in print, or in physical spaces. The fund is also publishing an ongoing catalogue raisonné of her artwork.

The important research and outreach sponsored by the Libbie Mark Provincetown Fund will add to the art historical record of this understudied mid-century female artist. To enhance this mission, in the future, the Fund may also support exhibitions, publications, and other programming that include the work of other understudied female artists that its managers determine deserve more attention.

2022 Exhibition Catalogue

Libbie Mark Exhibition Catalogue

Art of the Abstract Mark: Libbie Mark’s Collage Paintings and Other Works, 1950s–1960s

Learn More
Link to: Libbie Mark: Collage Paintings (1950s to 1960s)

2024 Solo Exhibition

Berry Campbell, New York, May 23–June 22, 2024
Link to: Timeline

Timeline

View a timeline of Libbie Mark’s life, 1905–1972
Link to: Vectors Artist Group

Vectors Artist Group

Libbie Mark was a member of the Vectors, a remarkably understudied, but fascinating New York artists group

2024 Solo Exhibition

Timeline

Vectors Artist Group

  • 2024 Solo Exhibition

    Berry Campbell, New York, May 23–June 22, 2024

  • Timeline

    View a timeline of Libbie Mark’s life, 1905–1972

    Fig.20. Dena (Dinah Rubinstein), Libbie Mark in her studio on East 71st, 1959 or later
  • Vectors Artist Group

    Libbie Mark was a member of the Vectors, a remarkably understudied but fascinating New York artists group.

    Fig. 12. New York University Contemporary Arts Gallery Vectors 8th Annual Exhibition postcard, 1964
Libbie Mark Logo Signature
GALLERY REPRESENTATION
(sales/exhibition inquiries)
Berry Campbell
524 West 26th Street
New York, NY 10001
212-924-2178
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Libbie Mark Provincetown Fund

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New York, NY 10018
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Libbie Mark

libbiemarkartist

Mid-c female ab-ex artist. Studied at Art Students League, Hofmann School. Rep'd by Berry Campbell. Libbie Mark Provincetown Fund tells her story.

Happy belated Mother’s Day to artist mothers and Happy belated Mother’s Day to artist mothers and mother figures! #LibbieMark was able to paint and take classes with #BettyHollidayDeckoff and others at the #GreatNeckAdultEducation fine arts program while raising two children, Judith and Reuben. She set up a basement studio in her home so she could work and be available for the children until they went to college. Then her output escalated, due to having a bit more time and skill, moving into #NewYorkCity and establishing a more formal studio.Images Judith and Michael Tanur Collection:Image 1. Clockwise from upper left: Edward, Libbie, Reuben and Judith Mark, Camp Copake, NY, ca. 1947.Image 2. L to R: Judith Tanur, Edward, Libbie, and Reuben Mark, in the Tanurs’ Brooklyn apartment, 1958.Image 3. Libbie Mark, ca. 1960s.@BerryCampbell represents @LibbieMarkArtist. Please see bio for gallery and Mark links, and email list signup. Please like and follow#SurfaceTexture #LibbieMarkProvincetownFund #GreatNeck @womeninabstractart @womeninthearts @women_artists @thegreatwomenartists @frida__and__ @nogreatwomenartists @wearewia  @AslNyc #WomenInTheArts #WomensArtHistory #NewYorkArtist #ProvincetownArtist #AbstractExpressionist #SixtiesPainting #1960sPainting #1950sPainting #FiftiesPainting #CollagePainting #LibbieMarkPainting #AbstractExpressionism #AbstractMark #FemaleArtist #WomanArtist #HansHofmannSchool #HansHofmann #ArtStudentsLeagueStudent #ArtStudentsLeague #BerryCampbell
We haven’t posted in a while about #LibbieMark’s early years in #GreatNeck, Long Island...She moved there in the late 1930s with her husband Edward and two young children, and by the late 1940s enrolled in courses with artist #BettyHollidayDeckoff and others at the #GreatNeckAdultEducation fine arts program. Formerly at @ARTnews, Deckoff was the GNAE program coordinator. Known for its significant artist faculty such as #NellBlaine, @HelenFrankenthalerFoundation, #GraceHartigan, @Louise.Nevelson, and @LarryRiversFoundation (all Deckoff contacts via #ARTnews), GNAE provided a strong foundation for Libbie’s artistic practice. Libbie later studied with Deckoff’s former teacher #VaclavVytlacil at the #ArtStudentsLeague beginning in 1956.Here is a painting from 1953, before Mark arrived at her signature collage painting technique, but already showing an affinity for texture and a heavily built-up surface. Please swipe for photos of the #SurfaceTexture and address label on verso.Image: Libbie Mark, “The Pink House,” 1953. oil on canvas board, 17 7/8 x 23 7/8 in. (sight). © #LibbieMarkProvincetownFund Inv. no. 04J.@BerryCampbell represents @LibbieMarkArtist. Please see bio for gallery and Mark links, and email list signup. Please like and follow@womeninabstractart @womeninthearts @women_artists @thegreatwomenartists @frida__and__ @nogreatwomenartists @wearewia  @AslNyc #WomenInTheArts #WomensArtHistory #NewYorkArtist #ProvincetownArtist #AbstractExpressionist #SixtiesPainting #1960sPainting #1950sPainting #FiftiesPainting #CollagePainting #LibbieMarkPainting #AbstractExpressionist #AbstractExpressionism #AbstractMark #FemaleArtist #WomanArtist #HansHofmannSchool #HansHofmann #ArtStudentsLeagueStudent #BerryCampbell
Last week we shared one of our favorite #LibbieMar Last week we shared one of our favorite #LibbieMark #AbstractExpressionist #CollagePainting s from the 1960s. Today we are sharing one of our favorites from the 1950s!Painted during #LibbieMarkArtist’s study at the #ArtStudentsLeague with #VaclavVytlacil, this swirling and energy-filled painting pre-dates her use of collage and was completed during a pivotal year when Mark also studied in Provincetown with #HansHofmann, at Vytlacil’s suggestion. (Hofmann was also Vytlacil’s teacher). Dated 1957 – L on verso (‘L’ for the League), this work has one intriguing figural element, a green foot at lower right.This painting was most recently exhibited in “Art of the Abstract Mark: Libbie Mark’s Collage Paintings and Other Works, 1950s–1960s” at the @NationalArtsClub in 2022. For more info on the artist and to purchase a catalogue from this show, please click links in bio. Libbie is represented by @BerryCampbell. Please follow and share!Painting image, and swipe for details: Libbie Mark, Untitled, 1957. oil on canvas, 42 x 42 in. Inv. no. 46JM. © #LibbieMarkProvincetownFund.#FemaleArtist #Vectors #NationalArtsClub #WomenAndAbstraction #VectorsArtistGroup #BerryCampbellGallery #BerryCampbell #WomanArtist #WomenOfAbstractExpressionism #HansHofmannSchool #ArtisticLegacy #HansHofmannStudent #ArtStudentsLeagueStudent #1950sPainting #FiftiesPainting #1960sPainting #SixtiesPainting #AbstractMark #AbstractExpressionism #WomenInTheArts #NewYorkArtist #ProvincetownArtist @womeninabstractart @womeninthearts @women_artists @thegreatwomenartists @frida__and__ @nogreatwomenartists @wearewia @ASLNYC @womeninabstractart @plain_sight_archive
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All content © Jennifer Uhrhane or Libbie Mark Provincetown Fund unless indicated otherwise. Website by MILKROW.
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